Based on the true story of artist Cristian Fredrick, The Masterpiece takes us from the depths of despair to the triumph of the will. Here is our review of writer/director Paul Myzia’s award-winning short film.
An apprehensive young man moves into university halls, and the sudden feeling of isolation forces him into an argument with his older brother about identity, love, and the repression of dreams in Oscar Wenman-Hyde’s feature film Cycles.
After an unsuspecting car journey results in the emotional breakdown of her relationship, Ashley crashes the car. Instead of calling for help, she panics and flees the scene. Can she overcome her guilt and the suspicions of her police officer father in the short film Passenger?
It’s 2017 and the world still doesn’t know that Monsters known as Yablo are real. Enter P.H.A.S.E, an international team of scientists and soldiers thrown together in rural Philippines to keep man and monster separate and safe. This is Randal Kamradt’s The Monsters Without.
A solar eclipse seems to be interfering with the menstrual cycle of women everywhere and wreaking havoc on their hormones. The result is a need to kill any and every man they see. This is Joshua Nelson’s horror-comedy Menopause.
We have reached the end of the series and it has been emotional. Read what we think of Lunch Room episodes 13-15 right here on Screen Critix.
So now we come to the final stretch of Martin Ponferrada and Mark Nunari’s hugely enjoyable improvisational sitcom. This is our review of episodes 10 – 12 of the great web series Lunch Room.
We take a look at the next three episodes of the great web series comedy Lunch Room, where we get to learn more about the employees of the fictional supermarket.
Episodes 4-6 of our favourite Antipodean comedy set in a Supermarket Lunch Room stay true to the form of its predecessors.
Set in the Lunch Room of a low-end supermarket, we follow the antics of the exasperated retail staffers in the opening 3 episodes of Mark Nunnari’s and Martin Ponferrada’s situation comedy Lunch Room.
An entirely dialogue-free, experimental feature film that follows two separate stories across nine distinct chapters that trace the hazy glow of childhood memories all the way up to the harsh light of adulthood.
An idealist and a revolutionary gather for a summer barbecue to discuss the state of employment and employee rights, when the richest man in the world stops by to address some accusations in the short film Oh Jeff!
