An orphan boy joins a young photojournalist on a journey of self-discovery to find his mother through the wild beauty of Laos in Joshua Trigg’s debut feature film “Satu Year Of The Rabbit.”
British filmmaker Joshua Trigg takes us on a fascinating journey through the heart of Laos with his debut feature film “Satu – Year of the Rabbit”; a heart-warming tale that links the journeys of two youngsters searching for different things. A young boy named Satu is looking for his mother who left him to be raised by monks as a baby, while the teenager, Bo, is after a scoop for her journalism course. Set against the luscious backdrop of Laos’ landscapes and ancient temples, “Satu” is a visually striking exploration of friendship, self-discovery, and the power of hope.
Trigg is a seasoned director of shorts and music videos and here he gives us an epic story that stretches across a decade. Firstly, we see a young woman forced to leave her baby, Satu (Itthiphone Sonepho), at the steps of a Temple then years later, the narrative shifts to Bo (Vanthiva Saysana), a feisty 17-year-old girl with a difficult home life and a dream of becoming a journalist. While Bo searches for a story to help jump-start her career, she arrives at the same temple Satu was left at and their paths become intertwined as Bo realizes Satu and his journey could become that story. As they navigate the varied landscape together encountering everything from forests, temples, bustling villages, and wild animals, they are joined by Jeobong – a grey rabbit who adds a touch of whimsy to their travels.
What stands out about the movie are its stunning visuals. It’s always great to get images from places we don’t normally see and cinematographer James Chegwyn, chooses shots that capture Laos in all of its energetic vibrancy. From the golden colours of temples in the daylight to the fresh-looking shots of nature in all its glory, Trigg allows his photographer to linger on the details capturing the natural beauty and rich culture of Laos.
As writer of the film, Trigg’s screenplay sometimes leans towards the mawkish with the threats and dangers faced by our protagonists a little too simplistic, but he gives the film a heart in the genuine friendship between Satu and Bo. A believable chemistry forms and becomes the emotional core of the film, drawing us into their journey and making us care about them. This helps to form a connection that not only fits with their characters but also the audience. Despite Saysana and Sonepho not being professional actors, Triggs’ gamble pays off as both give remarkably natural performances. Saysana portrays Bo with a drilled sense of purpose, while Sonepho captures Satu’s innocence while mixing in just enough self-awareness.
The plot may not break any new ground, but “Satu – Year of the Rabbit” offers an intriguing cinematic experience. Whether you are seeking a visual feast or a heart-warming coming-of-age story, “Satu” offers you more than enough to leave you longing for more. Forget the simplicity of the story, Satu – Year Of The Rabbit is a beautiful film made by an extremely talented director who is certainly on his way up.
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