James Potter and Sirius Black are on the hunt for a member of the Order of the Phoenix who has disappeared without a trace and is believed to have been captured by Death Eaters. This is episode 1 of the fan-made Harry Potter TV show The Order.
Terrorism and global pandemics have made destination travel a thing of the past, so virtual reality “Getaways” have become the only escape. This is Hollis Sherman-Pepe’s sci-fi short Twenty Minute Getaway.
Working-class colleagues struck by sudden unemployment grapple with anxiety, depression, and isolation as they try to cope with their new reality. This is Paul J. Chinook’s debut feature film February’s Dog.
Two women try to make sense of their futures in the aftermath of the violent abuse they suffered at the hands of the same man. This is Matthew R. Ford’s drama Left Behind.
Every twenty years on the border between the United States and Mexico, there are days that locals call timelessness when
An old man divides his time between sitting with his dying wife and monitoring the visits between a 6-year-old girl and her wayward father who has a violent past in Ray Spivey’s The Pro Bono Watchman.
Cork City residents hire a bus to take them on a tour of coastal roads, but when one of the passengers dies, the driver suspects the passengers of keeping secrets about the dead man. Here is Screen Critix review of Brian Stynes’ Coast Road.
After yet another terrible first date Tyler is confronted with the terrifying possibility that his life might all be in his control in Max Aguiar’s feature Hairy.
After millennia of separation, Lucifer invites Michael to a seemingly innocent game of chess in Piotr Szkopiak’s short drama Two Knights.
A first date takes a series of increasingly awkward turns in Bobby Broady Best’s micro-short Ice Breakers.
Distraught and unable to move forward in life, a man enlists the help of his brother to take back an item from a woman who once held a special place in his heart. This is Sohale Dezfoli’s thriller Insentient.
A vivid dream exploration of Moira Shearer’s heart and mind, just before and after she agreed to star in Powell and Pressburger’s beloved cinema classic The Red Shoes. This is Oran na h-Eala.
