Voice Again, directed by Paul Woodward, is a deeply moving documentary short that gives a platform to fathers grieving the unimaginable: the loss of a child. Created by Old Swan Films, who recently brought us the powerful narrative short Time To Go, this 18-minute documentary turns the lens on real people, real pain, and the healing power of shared experience.
From its opening moments, Voice Again is powerful. Stark titles reveal sobering truths. Men are significantly less likely than women to talk about or seek help for their mental health, and suicide remains the leading cause of death in men under 50. These facts are not just statistics. They are the painful context behind this important film.
The documentary introduces us to a group of bereaved fathers who meet monthly at Derian House Children’s Hospice in Chorley, Lancashire. The group, known as Derian Dads, provides a safe space for men to speak openly, support one another, and find comfort in shared understanding. For each of them, this is not just a meeting. It is a vital form of support.
The fathers speak of their children with love, humour, and heartbreak. One describes his child as a “fighter,” another as “cheeky,” and another simply as “perfect.” Their voices tremble as they recall memories both painful and joyful. Some mention trips to Disneyland, others remember bedtime routines and moments in front of the television. One father admits he cannot choose a single moment. Every day with his child was memorable. Another father breaks down as he explains that his son would have turned 21 on his next birthday, having passed away at nine. In his memory, the father is running a marathon.
Voice Again does not force emotion. It allows it to exist naturally. The film is respectful, giving each man the space to express themselves fully. It never feels exploitative. Instead, it captures the complexity of grief and how laughter and sorrow often go hand in hand. We see these men talking, smiling, and sharing moments of levity during their meetups. The atmosphere is genuine, not manufactured.
Technically, the film is strong. The interviews are well-lit and composed. The scenes at Derian House are observational and thoughtful, showing the small moments that mean so much. Ray Badger’s musical score is soft and unobtrusive. It enhances the emotion without overwhelming it.
Importantly, the film has the backing of Andy’s Man Club, one of the UK’s most respected mental health charities supporting men. Their involvement adds weight to the message: men can talk, should talk, and must be encouraged to share what they are going through.
More than 400 babies, children, and young people receive care from Derian House across the North West. They provide respite, palliative, and end-of-life support. Their services are free for families, but it costs £6 million a year to keep them running, and under 30 percent of that comes from government funding. Their help extends beyond the children to parents, siblings, and grandparents, and continues until the young person turns 26, with transitional support available up to 28.
Voice Again is not just a film. It is a reminder of how important connection, understanding, and support are for grieving fathers. It is beautifully crafted, emotionally sincere, and socially vital. This is a short film that matters, and it deserves to be seen.
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